If you do happen to own an S35 camera system that can utilize a speed booster then you would be able to take full advantage of the 18mm T1.5. I did this because the industry is moving quickly and I would prefer to spend my money on something that is going to be slightly more future proof than a lens that just covers an S35 sensor. Additionally, the focus ring features approximately 300 of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot. Certain prime and zoom lenses work better together than others. As the lenses are made in Japan this is probably why there are so many markings. Copyright 2022 Berger Brothers. The item you've selected was not added to your cart. The lens barrel features approximately 300 of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The 18mm T1.5 really allows you to be very creative with a wide angle lens. Kenko Tokina Japanese headquarters, full contacts and address information. Distortion is well controlled on the Tokina and it only exhibits very slight barrel distortion where lines appear curved inwards. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. He is the Editor of Newsshooter.com and has been writing on the site since 2010. We exist for the filmmaker because we love films, we love making films, and we love helping others make their films a reality! Electronic Communication No In this section you can find frequently asked questions and answers to them. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. | In saying that you can also get excellent results with this lens on an S35 digital cinema camera as well. Tripod Mounting Thread None Matthew has won 43 ACS Awards, including four prestigious Golden Tripods. Having such a massive image coverage gives you peace of mind that you are buying something that is fairly future proof (if there is such a thing). Minimum Focus Distance From : 17.7" / 45.0 cm The lens comes in PL mount, Sony E-Mount, MFT, and Canon EF-mount. Tokina Cinema Vista is truly the modern ultra crisp works-on-everything solution for your cinema and motion imaging capture needs. The Zeiss does have the advantage of being a lot lighter (0.86 kg / 1.9 lbs), cheaper ($5,290 USD) and you can change the lens mount. This section is dedicated to Tokina Ambassadors, presenting their profiles, activities and successful photographic works. The 18mm T1.5 Vista Cinema is a bit of an enigma. The K-35scover full frame (36mm x24mm ) sensors, but I dont think they will cover Vista Vision sized sensors as the Tokina does. What I did discover from going into rental houses here in Japan and talking to camera assistants and cinematographers who work here is that they actually like having lots of marking on lenses. But the more perfect you try to make a lens, the more lens elements you need to use in the optical formula. It features a maximum T stop of 1.5, useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth-of-field look. Additionally, the focus ring features approximately 300 of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot. The K-35 also has quite a lot of breathing, and it isnt as sharp compared to the Tokina. The use of a 9-blade iris produces a smooth round appearance to out-of-focus specular highlights. The Tokina 18mm T1.5 Vista Cinema Prime Lens is the fastest full frame 18mm wide angle lens on the market that covers VistaVision sensors. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording. Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. Ultra sharp with nearly zero image breathing during focus pulls. The new Vista series are all the exacte same size and gear position for easy set up and workflow. This cable is suitable for Arri Alexa, RED One, Sound Devices, Tokina Cinema Vista Prime 40mm T1.5 Camera Lens, Tokina Cinema Vista 16-28mm T3.0 MKII Zoom Lense, Ultimate Support JS-KC90 Medium Duty Transport Cart, Ultimate Support JS-KC80 Light Duty Transport Cart, Tentacle Sync Tentacle to ALEXA MINI cable, Tentacle Sync Tentacle to and from XLR cable, Tentacle Sync Tentacle to and from LEMO 5-pin cable, Tokina Cinema Vista PL Mount and Shim Kit, Fast T1.5 T stop, good for low light filming, Very pleasing character across the Iris range and usable wide open, Use of aspherical elements and modern coatings, nicely corrected image, exceptionally low chromatic abberations, Image circle of 46.7mm covers FF35, VistaVision and Red Dragon 8K VV, Clearly marked focus and iris scales on both sides of the lenses, Consistent 114mm front outer diameter, good for efficient matte box use, Lenses also featyre a 112mm screw-in filter size (Excluding Vista 18mm), Consistent length of lenses, good for quick lens changes, Consistent length of lens during focus pull, swing away matte box stays put, 9 bladed iris for rounded bokeh aesthetic, Robust construction materials, good for long-term use and ownership. The lens has almost no chromatic aberration, but I did find that when used at T1.5 there was a tiny, tiny bit, but its extremely difficult to see unless you are cropping in massively on your images. document.getElementById("copyright_year").innerHTML = new Date().getFullYear(); VISTA PRIME T1.5 B E Y O N D F U L L F R A M E TOKINA VISTA PRIME LENSES High resolution modern optics featuring free form design for visual acuity matching the human eye. There is a built-in lens support adapter that takes a 1/4-20 thread. The 18mm T1.5 Vista Cinema has clearly marked focus and iris scales on both sides of the lenses. There certainly are a lot of markings and some cinematographers or camera assistants may think there are too many. Maximum T-Stop T1.5 Most wide angle lenses suffer from some type of distortion. The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. To overcome these hurdles manufacturers require more sophisticated designs, exotic materials, and more expensive engineering. Filter Thread None Something went wrong. Of course, you could use this on a full frame DSLR or mirrorless camera, but how many people are really going to use a lens that costs 3 to 4 times more than their camera. As a comparison, the Zeiss 18mm T2.9 CP.3s minimum focusing distance is 0.3 m (12). We are always eager to meet new passionate, dedicated and talented photographers out there, and waiting for your submission to join the team. Search Tips. The Tokina 18mm T1.5 Cinema Vista Prime Lens with a PL mount and with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. Find here the complete distributors list and contacts. This lack of chromatic aberration at T1.5 on such a wide lens is extremely impressive. The new Vista series all are the exact same size and gear position for easy set up and workflow. In addition to this, the larger the aperture or T-stop, the wider the front glass element needs to be. The mounts arent swappable. The Tokina 18mm T1.5 Cinema Vista Prime Lens is designed to provide sharp images even when recording images at 8K resolution. Copyright 1995-2022 eBay Inc. All Rights Reserved. As an example, this may be a bit of a stretch, but If you were to double the dimensions of a diamond, which increases the carats by a factor of 8, the price is going to be exponentially more. To get the most benefit out of this lens given its high price it really does make more sense to use it on a full frame digital cinema camera, or a camera system that can utilize a speed booster. Tokina Cinema has introduced the new Vista series T1.5 Prime Lenses. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards. The prices of all of these options vary dramatically from just a few thousand dollars all the way up to close to $30,000 USD. Cancer and Reproductive Harm - www.P65Warnings.ca.gov, To deliver the best personalized experience, our site uses cookies. The larger the aperture on wide angle lenses, the more difficult it is to control the aberrations, due to the severe ray bending. Minimum purchase required. Copyright Lighting Supports Photo Company, Tokina Cinema Vista 16-28mm II T3 Wide-Angle Zoom Lens. The18mm T1.5 is also10/255mm long which makes it very big as far as prime lenses are concerned. Weight 5.9 lb / 2.68 kg Utilizing the XLR input, the Tentacle Sync Tentacle to LEMO 5-pin cable Cable to connect any Tentacle Sync box to a device that uses a standard LEMO 5-pin connector. They are also color matched for consistency across the range. As far as perspective distortion goes the lens will stretch faces that are close to the lens, especially when used on full frame sensors. To make a lens like this is no easy feat and the performance you can get out of the 18mm T1.5 certainly justifies the high price. Browse our rental inventory and equipment sales listings. If its wider, its also thicker in proportion, and all the glass elements behind that front element must be proportionally larger. Numerous established brands such as Zeiss, Canon, Sigma, Cooke, and ARRI all make full frame cinema prime lenses. It has special attention in its design to air gaps and multi aspheres, giving it the visual acuity of the human eye; it looks more natural than any other lens for large format. This is a private listing and your identity will not be disclosed to anyone except the seller. The general design idea is to capture a wide FOV, and slowly bend the rays towards the image plane, minimizing steep refraction angles at the optical surfaces. I wanted to see how much perspective distortion there was in the center of the frame and out towards the edges. Box Dimensions (LxWxH) 11.4 x 8.2 x 6.9", Children are one of the most popular subjects for photography especially during , The more i practice landscape photography, the more I The ability to have something in the foreground in focus and everything else out of focus, or conversely your foreground completely out of focus while the background is in focus makes this lens a very powerful creative tool. Above you can see a few quick tests with the 18mm wide openfilming a human face that was very close to the lens. For more information and inquiries about Tokina Cinema lenses visit Tokina Cinema WEB site. Please enable Javascript to implement all features of our website or call 800-522-2025 to place an order. These revolutionary lenses feature a hige 46.7mm image circale, making these lensese compatible with nearly every motion picture camera sensor on the market including VistaVision format. Being as heavy as the lens is, its probably a good idea to use a lens support, especially when using a version of the lens that isnt a PL mount. Size-wise it is significantly larger than the other Vista series lenses, and it dwarfs the 35mm T1.5 It weighs in at a whopping5.9lb / 2.68kg. The lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. If such an error exists on your purchase you will be notified and price corrections will be made. The lens barrel features approximately 300 of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. Tokina has an almost seventy-year long history. Designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing.
tokina vista prime 18mm